Parodies of ownership : hip-hop aesthetics and intellectual property law / Richard L. Schur.

The author examines how contemporary African American writers, artists, and musicians have developed an artistic form that Schur terms "hip-hop aesthetics." This book offers an in-depth examination of a wide range of contemporary African American painters and writers, including Anna Deaver...

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Bibliographic Details
Main Author: Schur, Richard L.
Format: Book
Language:English
Published: Ann Arbor, Mich. : University of Michigan Press : University of Michigan Library, [2009]
Subjects:
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245 1 0 |a Parodies of ownership :  |b hip-hop aesthetics and intellectual property law /  |c Richard L. Schur. 
264 1 |a Ann Arbor, Mich. :  |b University of Michigan Press :  |b University of Michigan Library,  |c [2009] 
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300 |a [xv], 236 pages ;  |c 24 cm 
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504 |a Includes bibliographical references (pages 209-226) and index. 
505 0 |a From chattel to intellectual property : legal foundations of African American cultural critique -- Critical race theory, signifyin', and cultural ownership -- Defining hip-hop aesthetics -- Claiming ownership in the post--civil rights era -- "Fair use" and the circulation of racialized texts -- "Transformative uses" : parody and memory -- From invisibility to erasure? : the consequences of hip-hop aesthetics. 
520 |a The author examines how contemporary African American writers, artists, and musicians have developed an artistic form that Schur terms "hip-hop aesthetics." This book offers an in-depth examination of a wide range of contemporary African American painters and writers, including Anna Deavere Smith, Toni Morrison, Adrian Piper, Colson Whitehead, Michael Ray Charles, Alice Randall, and Fred Wilson. Their absence from conversations about African American culture has caused a misunderstanding about the nature of contemporary cultural issues and resulted in neglect of their innovative responses to the post--Civil Rights era. By considering their work as a cross-disciplinary and specifically African American cultural movement, the author shows how a new paradigm for artistic creation has developed. 
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650 0 |a Hip-hop  |x Influence.  |0 sh2006004241 
650 0 |a African Americans in popular culture.  |0 sh 95003035  
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776 0 8 |i Online version:  |a Schur, Richard L.  |t Parodies of ownership.  |d Ann Arbor : University of Michigan Press : University of Michigan Library, ©2009  |w (OCoLC)657303182 
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