Table of Contents:

Table of Contents: “…Portrait of the portraitist -- The day of infamy -- Beginnings -- SoHo immersion -- The chosen ones : Close's models -- Photographs into paintings -- Back to the studio -- The power grid -- The magic mark-marker -- Looking into himself : the self-portraits -- Revelations -- The first big one : the 1968 big self-portrait -- The hairy revolutionary : the descendants of a 1975 photograph -- Mid-'70s meditations -- Dotted faces : 1986 and 1987 -- Posthospital mirrorings and phantoms : 1991-95 -- Color close-ups : 1996 and 1997 -- A Jovian close : 2000-01 -- Back to raw basics : black-and-white masks, 2002-03 -- Simplifying the syntax : 2004-05 -- Behind his faces -- Close's artist models -- Artists painting artists -- Richard Artschwager -- Francesco Clemente -- Lyle Ashton Harris -- Jasper Johns -- Alex Katz -- Robert Rauschenberg -- Lucas Samaras -- Cindy Sherman -- Kiki Smith -- William Wegman.…”

Table of Contents: “…Panofsky -- The establishment of physical existence / S. Kracauer -- The close-up ; The face of man / B. Balász -- Film and reality ; The making of a film / R. …”

Table of Contents: “…Introduction -- 100 Ideas that Changed Film -- No.1 MAGIC LANTERNS -- No.2 PERSISTENCE OF VISION -- No.3 THE KINETOSCOPE -- No.4 THE CIN�EMATOGRAPHE -- No.5 PROJECTION -- No.6 TRICK FILMS -- No.7 CLOSE-UPS -- No.8 OPTICAL TRANSITIONS -- No.9 POINT-OF-VIEW SHOTS -- No.10 TRACKING SHOTS -- No.11 CHASE SEQUENCES -- No.12 CONTINUITY EDITING -- No.13 MATCH SHOTS -- No.14 NICKELODEONS -- No.15 FILM D'ART -- No.16 FEATURE FILMS -- No.17 DREAM PALACES -- No.18 SHOOTING SCRIPTS -- No.19 IN-CAMERA EFFECTS -- No.20 SERIALS -- No.21 SLAPSTICK -- No.22 STUNTS -- No.23 THE STAR SYSTEM -- No.24 HOLLYWOOD -- No.25 MOVIE MOGULS -- No.26 BLOCK BOOKING -- No.27 THE STUDIO SYSTEM -- No.28 GENRE -- No.29 PRESOLD SOURCES -- No.30 CHILD STARS -- No.31 FAN MAGAZINES -- No.32 THE OSCARS -- No.33 MONOCHROME -- No.34 PROCESS SHOTS -- No.35 ARTIFICIAL LIGHTING -- No.36 EXPRESSIONISM -- No.37 THE NARRATIVE AVANT-GARDE -- No.38 FILM SCHOOLS -- No.39 MONTAGE -- No.40 TYPAGE -- No.41 SURREALISM -- No.42 EXPERIMENTAL CINEMA -- No.43 SOUND -- No.44 MUSICAL SCORES -- No.45 DUBBING -- No.46 SUBTITLES -- No.47 NEWSREELS -- No.48 CENSORSHIP -- No.49 PROPAGANDA -- No.50 POETIC REALISM -- No.51 STUDIO REALISM -- No.52 B MOVIES -- No.53 SERIES -- No.54 SHORTS -- No.55 ANIMATION -- No.56 MODELS -- No.57 NEOREALISM -- No.58 FLASHBACKS -- No.59 VOICE-OVER -- No.60 FILM NOIR -- No.61 THE BLACKLIST -- No.62 METHOD ACTING -- No.63 TELEVISION -- No.64 THE ACADEMY RATIO -- No.65 COLOR -- No.66 3-D -- No.67 COPRODUCTION -- No.68 EPICS -- No.69 EXPLOITATION -- No.70 TRAILERS -- No.71 SAFETY FILM -- No.72 THE CIN�EMATH�EQUE FRAN�CAISE -- No.73 CANNES -- No.74 CRITICISM -- No.75 MISE EN SC�ENE -- No.76 OFFSCREEN SPACE -- No.77 AUTEUR THEORY -- No.78 HANDHELD CAMERA -- No.79 CIN�EMA V�ERIT�E -- No.80 FREE CINEMA -- No.81 THIRD CINEMA -- No.82 ZOOM -- No.83 ROAD MOVIES -- No.84 BLAXPLOITATION -- No.85 PORNOGRAPHY -- No.86 FEMINIST FILM THEORY -- No.87 BLOCKBUSTERS -- No.88 EFFECTS MAKEUP -- No.89 KIDPICS -- No.90 TEENPICS -- No.91 SEQUELS -- No.92 REMAKES -- No.93 MULTIPLEXES -- No.94 VIDEO -- No.95 HOME ENTERTAINMENT -- No.96 US INDEPENDENT CINEMA -- No.97 QUEER CINEMA -- No.98 HERITAGE FILMS -- No.99 DIGITAL VIDEO -- No.100 COMPUTER-GENERATED IMAGERY -- Glossary -- Further Reading -- Acknowledgement.…”
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Table of Contents: “…(1930) / Alex Strasser -- Melody in the cinema, or immanent and transcendental music (1914) / Ernst Bloch -- The muteness of the film image (1920) / Oskar Kalbus -- Lighting design in film (1922) / Albin Grau -- Intertitles (1923) / Hans Pander -- The close-up (1924) / Bela Balazs -- My ideal screenplay (1924) / Fritz Lang and F.W. …”
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