Table of Contents: “…Literary contingencies and necessities: Simone de Beauvoir's memoirs -- Family scenarios: transcriptions of gender and transgressions of gender: Nathalie Sarraute's 'Childhood' -- Rewriting her story from, passive to active: substitutions in Marguerite Duras's 'The lover' -- Confusing the genres: autobiographical parody and utopia in Monique Wittig's 'Acros the Acheron' -- Mediations of identity through the Atlantic triangle: Maryse Condé's 'Heremakhonon -- Conclusion: dialogue with the other.…”

Table of Contents: “…." / Elizabeth Cook-Lynn -- Walking among the stars / Carter Revard -- On native ground / Jim Barnes -- Crows written on the poplars : autocritical autobiographies / Gerald Vizenor -- Shouting back to the geese / Jack D. Forbes -- Autobiographical sketch / Duane Niatum -- The autobiography of a confluence / Paula Gunn Allen -- Those dead guys for a hundred years / Jimmie Durham -- Two dresses / Diane Glancy -- The language we know / Simon J. …”

Table of Contents: “…Time-out: Ernesto Sanchez's autobiographical analysis of identity and school in Acoma --…”

Table of Contents: “…"Identity crisis" in autobiographic perspective ; Freud's posthumous publications: reviews. …”

Table of Contents: “…Wanted, dead (to the world): autobiographical narratives by colonial nun authors Gerónima Nava y Saavedra and Ursula Suárez -- Gendered crime and punishment in New Spain: Inquisitional cases against the Ilusas Teresa de Jesús and Bárbara de Echegaray -- En/gender/ing the racialized other, re/writing indigenist narrative: Matto de Turner's Aves sin nido and Gómez de Avellaneda's Guatimozín and "El cacique de Turmequé" -- In search of a foremother: Silvina Bullrich and Madga Portal on Flora Tristán -- Mothers in the Mexican and Cuban revolutions: Nellia Campobelo, Magdalena Mondragón, and Dora Alonso -- "Quiero aportar un granito de arena": collaborative political text making by Dominga de la Cruz and Domitila Barrios Chungara -- Making historia (history/her story): Elvira Orphée's No women's zone and Marta Traba's women's zone.…”