Snapshot : painters and photography, Bonnard to Vuillard / edited by Elizabeth W. Easton ; with contributions by Clément Chéroux [and others].

"The advent of the Kodak camera in 1888 made photography accessible to amateurs as well as to professionals. Artists were not immune to its allure, and many began experimenting with the camera as a means of capturing images as studies for final works and of observing the world and the people in...

Full description

Saved in:
Bibliographic Details
Online Access: Access E-Book
Access Note:Access to electronic resources restricted to Simmons University students, faculty and staff.
Corporate Authors: Van Gogh Museum, Amsterdam., Phillips Collection., Indianapolis Museum of Art.
Other Authors: Easton, Elizabeth Wynne., Chéroux, Clément, 1970-
Format: eBook
Language:English
Published: New Haven ; London : Yale University Press, 2012.
Subjects:
LEADER 05104cam a2200625 a 4500
001 in00000004516
006 m o d
007 cr bn||||||abp
007 cr bn||||||ada
008 190218s2012 ctuafo obc 001 0 eng d
005 20210722183611.2
035 |a (OCoLC)on1086302674 
040 |a OCLCE  |b eng  |e pn  |c OCLCE  |d OCLCQ 
019 |a 1018455613 
020 |z 9780300172362  |q (cloth, Yale) 
020 |z 0300172362  |q (cloth, Yale) 
020 |z 9789079310289  |q (cloth, Van Gogh Museum) 
020 |z 907931028X  |q (cloth, Van Gogh Museum) 
035 |a (OCoLC)1086302674  |z (OCoLC)1018455613 
042 |a dlr 
043 |a e-fr--- 
050 4 |a TR71 .S63 2012 
084 |a ART015100  |a PHO010000  |a ART006000  |2 bisacsh 
049 |a SCLL 
245 0 0 |a Snapshot :  |b painters and photography, Bonnard to Vuillard /  |c edited by Elizabeth W. Easton ; with contributions by Clément Chéroux [and others]. 
260 |a New Haven ;  |a London :  |b Yale University Press,  |c 2012. 
300 |a 1 online resource (xiii, 234 pages) :  |b illustrations, plates, photographs 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
506 |a Access to electronic resources restricted to Simmons University students, faculty and staff. 
520 |a "The advent of the Kodak camera in 1888 made photography accessible to amateurs as well as to professionals. Artists were not immune to its allure, and many began experimenting with the camera as a means of capturing images as studies for final works and of observing the world and the people in it. Snapshot investigates seven Post-Impressionist painters and printmakers: Pierre Bonnard, George Hendrik Breitner, Maurice Denis, Henri Evenepoel, Henri Rivière, Félix Vallotton, and Edouard Vuillard. Although celebrated for their works on canvas and paper, these artists also made many personal and informal snapshots. Depicting interiors, city streets, nudes, and portraits, these photographs were kept private and never exhibited. As a result, most have never been published. Juxtaposing personal photographs with the related paintings and prints by these Post-Impressionist artists, Snapshot offers a new perspective on early photography and on the synthesis of painting and photography at the end of the 19th century"--  |c Provided by publisher 
500 |a Issued in connection with exhibitions held October 14, 2011-January 8, 2012, Van Gogh Museum, Amsterdam, February 4-May 6, 2012, The Phillips Collection, Washington, D.C., and June 8-September 2, 2012, Indianapolis Museum of Art. 
504 |a Includes bibliographical references and index. 
505 0 0 |t Innovative devices: George Eastman and the handheld camera /  |r Todd Gustavson --  |t The new truths of the snapshot /  |r Michel Frizot --  |t A sense of context: amateur photography in the late nineteenth century /  |r Clément Chéroux --  |t Sneak previews: nude photographs by Pierre Bonnard and George Hendrik Breitner /  |r Anne McCauley --  |t Pierre Bonnard's amateur photographs: a poetic, dancing world /  |r Françoise Heilbrun --  |t Movement studies in an urban setting: the photographs of George Hendrik Breitner /  |r Hans Rooseboom --  |t Pushing the boundaries of the Kodak: Maurice Denis's innovative snapshots /  |r Saskia Ooms --  |t Henri Evenepoel: an abundance of gifts /  |r Eliza Rathbone --  |t Engineer of shadow and light: Henri Rivière as photographer /  |r Ellen W. Lee --  |t Vallotton and photography: freeze frame /  |r Katia Poletti --  |t Edouard Vuillard's photography and the limitations of truth /  |r Elizabeth W. Easton. 
588 0 |a Print version record. 
506 |3 Use copy  |f Restrictions unspecified  |2 star  |5 MiAaHDL 
533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2019.  |5 MiAaHDL 
538 |a Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.  |u http://purl.oclc.org/DLF/benchrepro0212  |5 MiAaHDL 
583 1 |a digitized  |c 2019  |h HathiTrust Digital Library  |l committed to preserve  |2 pda  |5 MiAaHDL 
650 0 |a Photography  |z France  |x History  |y 19th century  |v Exhibitions. 
650 0 |a Art and photography  |v Exhibitions. 
655 7 |a Exhibition catalogs.  |2 fast  |0 (OCoLC)fst01424028 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Exhibition catalogs.  |2 lcgft 
700 1 |a Easton, Elizabeth Wynne. 
700 1 |a Chéroux, Clément,  |d 1970- 
710 2 |a Van Gogh Museum, Amsterdam. 
710 2 |a Phillips Collection. 
710 2 |a Indianapolis Museum of Art. 
776 0 8 |i Print version:  |t Snapshot.  |d New Haven ; London : Yale University Press, 2012  |w (DLC) 2011012326  |w (OCoLC)711045529 
856 4 0 |3 HathiTrust Digital Library  |u http://catalog.hathitrust.org/api/volumes/oclc/711045529.html  |y Access E-Book 
994 |a C0  |b SCL 
999 f f |s eabc6b38-de74-436f-a670-2c6e60e3a6fb  |i 21fc594f-efc7-4029-93fb-8357f26bf65b 
852 |b Online Resources  |h TR71 .S63 2012  |0 aca7c704-bf80-455f-bb34-a778dd72f505