Cinévardaphoto.
A triptych of film essays exploring the photographic medium, CINEVARDAPHOTO is a wonderfully potent and incisive work from Agnes Varda, director of The Beaches of Agnes and The Gleaners and I, who began her career as a photographer before turning to film. In *Ydessa, The Bears and Etc*., Varda disco...
Saved in:
| Online Access: |
View Streaming Video |
|---|---|
| Access Note: | Access to electronic resources restricted to Simmons University students, faculty, and staff. Access ends 3/16/21. |
| Other Authors: | |
| Format: | Electronic Video |
| Language: | English |
| Published: |
[San Francisco, California, USA] :
Cinema Guild,
2004.
Kanopy Streaming, 2019. |
| Subjects: |
MARC
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| 506 | |a Access ends 3/16/21. | ||
| 511 | 0 | |a Agnès Varda. | |
| 518 | |a Originally produced by Cinema Guild in 2004. | ||
| 520 | |a A triptych of film essays exploring the photographic medium, CINEVARDAPHOTO is a wonderfully potent and incisive work from Agnes Varda, director of The Beaches of Agnes and The Gleaners and I, who began her career as a photographer before turning to film. In *Ydessa, The Bears and Etc*., Varda discovers a haunting exhibit of found photos, each showing a teddy bear. With *Ulysses*, she deconstructs a picture from her early career as a photographer. While the exuberant *Salut les Cubains* uses still photos to capture the spirit of the Cuban revolution's early days. Official Selection at the **Toronto International Film Festival** and at the **San Francisco Film Festival.** "*Unutterably charming.*" {8212} Manohla Dargis, ***The New York Times*** "*A work of great charm and bold aesthetic impurity.*" {8212} J. Hoberman, ***The Village Voice*** | ||
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