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|a Hubbs, Nadine.
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|a The queer composition of America's sound :
|b gay modernists, American music, and national identity /
|c Nadine Hubbs.
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| 260 |
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|a Berkeley :
|b University of California Press,
|c c2004.
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| 300 |
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|a xi, 282 p. :
|b ill. ;
|c 23 cm.
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| 504 |
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|a Includes bibliographical references (p. 249-263), discography (p. 265), and index.
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|a Modernist abstraction and the abstract art : Four Saints and the queer composition of America's sound -- Being musical : gender, sexuality, and musical identity in twentieth-century America -- Intermezzo. My dear Freddy : identity excesses and evasions chez Paul Bowles -- A French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda. Composing oneself (reprise).
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|a Access to electronic resources restricted to Simmons University students, faculty and staff.
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|a Electronic text and image data.
|b Ann Arbor, Mich. :
|c University of Michigan, MPublishing,
|d 2012.
|e Includes both TIFF files and keyword searchable text.
|f ([ACLS Humanities E-Book])
|n Mode of access: Intranet.
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|x History and criticism.
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|z United States
|x History and criticism.
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| 650 |
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|a Gay composers
|z United States.
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|a American Council of Learned Societies.
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|u https://ezproxy.simmons.edu/login?url=http://hdl.handle.net/2027/heb.09028
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