Critical visions in film theory : classic and contemporary readings / edited by Timothy Corrigan, University of Pennsylvania, Patricia White, Swarthmore College ; with Meta Mazaj, University of Pennsylvania.
This anthology incorporates fresh perspectives in areas such as perception and reception, film form, modernism and realism, auteur theory, and genre; with sections devoted to sexuality and gender, race and ethnicity, national and transnational film histories, documentary and experimental film, as we...
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| Other Authors: | , , |
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| Format: | Book |
| Language: | English |
| Published: |
Boston :
Bedford/St. Martin's,
[2011]
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| Subjects: |
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| 245 | 0 | 0 | |a Critical visions in film theory : |b classic and contemporary readings / |c edited by Timothy Corrigan, University of Pennsylvania, Patricia White, Swarthmore College ; with Meta Mazaj, University of Pennsylvania. |
| 264 | 1 | |a Boston : |b Bedford/St. Martin's, |c [2011] | |
| 264 | 4 | |c ©2011 | |
| 300 | |a xxi, 1,173 pages : |b illustrations ; |c 23 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a unmediated |b n |2 rdamedia | ||
| 338 | |a volume |b nc |2 rdacarrier | ||
| 340 | |p illustration |2 rdaill | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | |a Part 1. Experiencing film : from perception to reception -- Part 2. The sights, sounds, and signs of cinema -- Part 3. Modernism and realism : debates in classical film theory -- Part 4. Auteurism : directors, stars, and beyond -- Part 5. Genre : classifying stories -- Part 6. Narrative : telling stories -- Part 7. Alternative modes : experimental and documentary film -- Part 8. Sexuality and gender in cinema : from psychoanalysis to performativity -- Part 9. Race and ethnicity in cinema : from stereotypes to self-representation -- Part 10. National and transnational film histories -- Part 11. Screen cultures : current debates. | |
| 520 | 8 | |a This anthology incorporates fresh perspectives in areas such as perception and reception, film form, modernism and realism, auteur theory, and genre; with sections devoted to sexuality and gender, race and ethnicity, national and transnational film histories, documentary and experimental film, as well as new media. A "Film Pairings" appendix pairs readings with films to show students how to connect and apply film theory to the movies they watch. | |
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| 700 | 1 | |a White, Patricia, |d 1964- |0 n 99043919 | |
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