Photography after conceptual art / edited by Diarmuid Costello and Margaret Iversen.
Photography after Conceptual Art addresses substantive theoretical, historical and aesthetic issues raised by post-1960s photography as a mainstream artistic medium. Contributions trace photographic art's remarkable transformation form the 'non-aesthetic' uses of the medium associated...
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| Other Authors: | , |
| Format: | Book |
| Language: | English |
| Published: |
Chichester, West Sussex, UK ; Malden, MA, USA : [Great Britain] :
Wiley-Blackwell ; Association of Art Historians,
2010.
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| Series: | Art history special issue book series.
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| Subjects: |
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| 245 | 0 | 0 | |a Photography after conceptual art / |c edited by Diarmuid Costello and Margaret Iversen. |
| 264 | 1 | |a Chichester, West Sussex, UK ; |a Malden, MA, USA : |b Wiley-Blackwell ; |a [Great Britain] : |b Association of Art Historians, |c 2010. | |
| 300 | |a vii, 200 pages : |b illustrations (some color) ; |c 25 cm. | ||
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| 490 | 1 | |a Art history special issue book series | |
| 500 | |a "Originally published as Volume 32, Issue 5 of Art history"--Title page verso. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Auto-maticity: Ruscha and performative photography / |r Margaret Iversen -- |t Ed Ruscha, Heidegger, and deadpan photography / |r Aron Vinegar -- |t Subject, object, mimesis: the aesthetic world of the Bechers' photography / |r Sarah E. James -- |t Exit ghost: Douglas Huebler's face value / |r Gordon Hughes -- |t Productive misunderstandings: interpreting Mel Bochner's theory of photography / |r Luke Skrebowski -- |t Roni Horn's Icelandic encyclopedia / |r Mark Godfrey -- |t Thomas Demand, Jeff Wall and Sherrie Levine: deforming 'pictures' / |r Tamara Trodd -- |t Almost Merovingian: on Jeff Wall's relation to nearly everything / |r Wolfgang Brückle -- |t Morning cleaning: Jeff Wall and The large glass / |r Christine Conley. |
| 520 | |a Photography after Conceptual Art addresses substantive theoretical, historical and aesthetic issues raised by post-1960s photography as a mainstream artistic medium. Contributions trace photographic art's remarkable transformation form the 'non-aesthetic' uses of the medium associated with various conceptual and post-conceptual practices of the 1960s and 1970s to the large scale pictorial color images that have dominated the medium since the 1990s.--[book cover]. | ||
| 650 | 0 | |a Photography, Artistic. |0 sh 85101269 | |
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| 700 | 1 | |a Costello, Diarmuid. |0 n 2006073650 | |
| 700 | 1 | |a Iversen, Margaret. |0 n 85378526 | |
| 710 | 2 | |a Association of Art Historians (Great Britain) |0 n 87909302 | |
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| 830 | 0 | |a Art history special issue book series. |0 no2010204066 | |
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