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020 |a 0313324662  |q (alk. paper) 
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035 |a (OCoLC)49991496 
040 |a DLC  |b eng  |c DLC  |d YBM  |d SYB  |d BAKER  |d BTCTA  |d YDXCP  |d HEBIS  |d BDX  |d OCLCF  |d OCLCQ 
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049 |a SCLL 
050 4 |a PS351 .E97 2003 
245 0 0 |a Experimenters, rebels, and disparate voices :  |b the theatre of the 1920s celebrates American diversity /  |c edited by Arthur Gewirtz and James J. Kolb. 
260 |a Westport, Conn. :  |b Praeger,  |c 2003. 
300 |a xvii, 196 pages :  |b illustrations ;  |c 24 cm. 
336 |a text  |b txt  |2 rdacontent 
337 |a unmediated  |b n  |2 rdamedia 
338 |a volume  |b nc  |2 rdacarrier 
490 1 |a Contributions in drama and theatre studies,  |x 0163-3821 ;  |v no. 99 
504 |a Includes bibliographical references (pages 179-181) and index. 
505 0 0 |g Introduction /  |r Arthur Gewirtz,  |r James J. Kolb --  |g Part I: Experimenters, rebels, and disparate voices --  |t Searching for "the big American play": The theatre guild produces John Howard Lawson's Processional /  |r Beverle Bloch --  |t The idiosyncratic theatre of John Howard Lawson /  |r John D. Shout --  |t Glitzing the proletariat: John Howard Lawson's plays of the 1920s /  |r Michael C. O'Neill --  |t Direction by design(er): Robert Edmond Jones and the new Provincetown players /  |r Jane T. Peterson --  |t Glitter, glitz, and race: The production of Harlem /  |r Freda Scott Giles --  |t Disparate voices: African American theatre critics of the 1920s /  |r Freda Scott Giles --  |t Garland Anderson and appearances: The playwright and his play /  |r Alan Kreizenbeck --  |t The first serious dramas on Broadway by African American playwrights /  |r Jeanne-Marie A. Miller --  |t Theatre and community: The significance of Howard University's 1920s drama program /  |r Scott Zaluda --  |t "To doubt is fatal": Eva Le Gallienne and the civic repertory theatre, 1926-1932 /  |r Estelle Aden --  |t Sophie Treadwell's play Machinal: Strategies of reception and interpretation /  |r Kornelia Tancheva --  |t Sophie Treadwell's summer with Boleslavsky and lectures for the American Laboratory Theatre /  |r Jerry Dickey --  |t On "The Verge" of a new form: The cabinet of Dr. Caligari and Susan Glaspell's experiments in The Verge /  |r Steven Frank --  |t They knew what they wanted: American theatre's use of nonverbal communication codes to marginalize non-native characters in the 1920s /  |r Beverly Bronson Smith --  |t The Poet Lore plays: A new Chinese voice ... but how new? /  |r Dave Williams --  |g Part II: Theatre and set design --  |t Against the tide: Mordecai Gorelik and the New York Theatre of the 1920s -- processional, Nirvana, the moon is a gong, and loudspeaker /  |r Anne Fletcher --  |t "Another revolution to be heard from": Jane Heap and the International Theatre Exposition of 1926 /  |r John Bell --  |t Architecture for the twentieth century: Imagining the theatre in the 1920s /  |r William F. Condee. 
600 1 0 |a Lawson, John Howard,  |d 1894-1977  |x Criticism and interpretation. 
650 0 |a American drama  |y 20th century  |x History and criticism. 
650 0 |a American drama  |x Minority authors  |x History and criticism. 
650 0 |a Experimental drama, American  |x History and criticism. 
650 0 |a Theater  |z United States  |x History  |y 20th century. 
650 0 |a Cultural pluralism in literature. 
650 0 |a Difference (Psychology) in literature. 
650 0 |a African Americans in literature. 
650 0 |a Ethnic groups in literature. 
650 0 |a Minorities in literature. 
650 0 |a Dissenters in literature. 
700 1 |a Gewirtz, Arthur. 
700 1 |a Kolb, James J.,  |d 1944- 
776 0 8 |i Online version:  |t Experimenters, rebels, and disparate voices.  |d Westport, Conn. : Praeger, 2003  |w (OCoLC)683274478 
830 0 |a Contributions in drama and theatre studies ;  |v no. 99.  |x 0163-3821 
852 |b Books - Level 2  |h PS351 .E97 2003  |0 c0580668-a99c-11ea-b550-3a67fadbd8b9 
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