Artemisia Gentileschi : the image of the female hero in Italian Baroque art / by Mary D. Garrard.
Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This first full-length study of her life and work shows that her powerfully original treatmen...
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| Format: | Book |
| Language: | English |
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Princeton, NJ :
Princeton University Press,
[1989]
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| Subjects: |
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| 100 | 1 | |a Garrard, Mary D., |e author. |0 n 82029514 | |
| 245 | 1 | 0 | |a Artemisia Gentileschi : |b the image of the female hero in Italian Baroque art / |c by Mary D. Garrard. |
| 264 | 1 | |a Princeton, NJ : |b Princeton University Press, |c [1989] | |
| 264 | 4 | |c ©1989 | |
| 300 | |a xxv, 607 pages, 24 pages of plates : |b illustrations (some color) ; |c 28 cm | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 569-591) and index. | ||
| 505 | 0 | 0 | |t List of illustrations -- |t Preface -- |t Introduction -- |g Part I. |t Artemisia Gentileschi in her time: life and art. |t Rome, 1593-c. 1613 ; |t Florence, 1614-1620 ; |t Genoa, Venice, and Rome, 1620-c. 1630 ; |t Naples, 1630-c. 1638 ; |t England, 1638-c. 1641 ; |t Naples, 1642-1652 -- |g Part II. |t Historical feminism and female iconography. |t Humanists and feminists. |t The Femme Forte ; |t The imagery of strong women -- |g Part III. |t Artemisia Gentileschi's heroic women. |t Susanna ; |t Lucretia and Cleopatra ; |t Judith ; |t The allegory of painting -- |t Appendices / |r English translations of documents from the original Italian texts by Efrem G. Calingaert, edited by Mary D. Garrard. |g Appendix A. |t The letters of Artemisia Gentileschi ; |g Appendix B. |t Testimony of the rape trial of 1612 -- |t Notes -- |t Works cited -- |t Index. |
| 520 | |a Artemisia Gentileschi, widely regarded as the most important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This first full-length study of her life and work shows that her powerfully original treatments of mythic-heroic female subjects depart radically from traditional interpretations of the same themes. | ||
| 600 | 1 | 0 | |a Gentileschi, Artemisia, |d 1593-1652 or 1653 |x Criticism and interpretation. |0 n 87102497 |
| 650 | 0 | |a Women heroes in art. |0 sh 97001324 | |
| 650 | 0 | |a Painting, Italian. |0 sh 85096758 | |
| 650 | 0 | |a Painting, Baroque |z Italy. |0 sh2010104787 | |
| 650 | 0 | |a Feminism and art |z Italy. |0 sh 85047746 | |
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