The Romantic crowd sympathy, controversy and print culture / Mary Fairclough.

"In the long eighteenth century, sympathy was understood not just as an emotional bond, but also as a physiological force, through which disruption in one part of the body produces instantaneous disruption in another. Building on this theory, Romantic writers explored sympathy as a disruptive s...

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Online Access: Access E-Book
Access Note:Access to electronic resources restricted to Simmons University students, faculty and staff.
Main Author: Fairclough, Mary, 1978-
Corporate Author: ProQuest (Firm)
Format: Electronic eBook
Language:English
Published: Cambridge : Cambridge University Press, 2013.
Series:Cambridge studies in Romanticism ; 97
Subjects:

MARC

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245 1 4 |a The Romantic crowd  |h [electronic resource] :  |b sympathy, controversy and print culture /  |c Mary Fairclough. 
260 |a Cambridge :  |b Cambridge University Press,  |c 2013. 
300 |a ix, 294 p. :  |b ill. 
440 0 |a Cambridge studies in Romanticism ;  |v 97 
504 |a Includes bibliographical references and index. 
505 8 |a Machine generated contents note: Introduction: collective sympathy; Part I. Sympathetic Communication, 1750-1800: From Moral Philosophy to Revolutionary Crowds: 1. Sympathy and the crowd: eighteenth-century contexts; 2. Sympathetic communication and the French Revolution; Part II. Romantic Afterlives, 1800-1850: Sympathetic Communication, Mass Protest and Print Culture: 3. Sympathy and the press: mass protest and print culture in Regency England; 4. 'The contagious sympathy of popular and patriotic emotions': sympathy and loyalism after Waterloo; Afterword: sympathy and the Romantic crowd; Select bibliography; Index. 
506 |a Access to electronic resources restricted to Simmons University students, faculty and staff. 
520 |a "In the long eighteenth century, sympathy was understood not just as an emotional bond, but also as a physiological force, through which disruption in one part of the body produces instantaneous disruption in another. Building on this theory, Romantic writers explored sympathy as a disruptive social phenomenon, which functioned to spread disorder between individuals and even across nations like a 'contagion'. It thus accounted for the instinctive behaviour of people swept up in a crowd. During this era sympathy assumed a controversial political significance, as it came to be associated with both riotous political protest and the diffusion of information through the press. Mary Fairclough reads Edmund Burke, Mary Wollstonecraft, William Godwin, John Thelwall, William Hazlitt and Thomas De Quincey alongside contemporary political, medical and philosophical discourse. Many of their central questions about crowd behaviour still remain to be answered by the modern discourse of collective psychology"--  |c Provided by publisher. 
533 |a Electronic reproduction. Ann Arbor, MI : ProQuest, 2015. Available via World Wide Web. Access may be limited to ProQuest affiliated libraries. 
650 0 |a Sympathy  |z Great Britain  |x History  |y 18th century. 
650 0 |a Sympathy  |z Great Britain  |x History  |y 19th century. 
650 0 |a Romanticism  |z Great Britain  |x History  |y 18th century. 
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650 0 |a Social values  |z Great Britain  |x History  |y 18th century. 
650 0 |a Social values  |z Great Britain  |x History  |y 19th century. 
650 0 |a Press and politics  |z Great Britain  |x History  |y 19th century. 
650 0 |a Collective behavior  |x Moral and ethical aspects. 
651 0 |a France  |x History  |y Revolution, 1789-1799  |x Foreign public opinion, British. 
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